This book visits the fact that, in the premodern world, saints and lords served structurally similar roles, acting as patrons to those beneath them on the spiritual or social ladder with the word "patron" used to designate both types of elite sponsor. Chapman argues that this elision of patron saints and patron lords remained a distinctive feature of the early modern English imagination and that it is central to some of the key works of literature in the period. Writers like Jonson, Shakespeare, Spenser, Drayton, Donne and, Milton all use medieval patron saints in order to represent and to challenge early modern ideas of patronage not just patronage in the narrow sense of the immediate economic relations obtaining between client and sponsor, but also patronage as a societywide system of obligation and reward that itself crystallized a whole cultures assumptions about order and degree. The works studied in this book ranging from Shakespeares 2 Henry VI, written early in the 1590s, to Miltons Masque Performed at Ludlow Castle, written in 1634 are patronage works, either aimed at a specific patron or showing a keen awareness of the larger patronage system. This volume challenges the idea that the early modern world had shrugged off its own medieval past, instead arguing that Protestant writers in the period were actively using the medieval Catholic ideal of the saint as a means to represent contemporary systems of hierarchy and dependence. Saints had been the ideal and...

Binding: Hardcover;256 pages; Publisher: Taylor & Francis Ltd (Sales); Classification: DSBD; Weight: 592 g; Dimensions: 161 x 234 x 19

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