At the centre of John Miltons epic poem Paradise Lost (1667) is a radical commitment to divine and human freedom. This study situates Paradise Lost within the context of postReformation theological controversy, and pursues the theological portrayal of freedom as it unfolds throughout the poem. The study identifies and explores the ways in which Milton is both continuous and discontinuous with the major postReformation traditions in his depiction of predestination, creation, free will, sin, and conversion. Miltons deep commitment to freedom is shown to underlie his appropriation and creative transformation of a wide range of existing theological concepts.

Binding: Hardcover;224 pages; Publisher: De Gruyter; Classification: HRCC2; Weight: 612 g; Dimensions: 230 x 155

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