Callimachus was arguably the most important poet of the Hellenistic age, for two reasons his engagement with previous theorists of poetry and his wideranging poetic experimentation. Of his poetic oeuvre, which exceeded what we now have of Theocritus, Aratus, Posidippus, and Apollonius combined, only his six hymns and around fifty of his epigrams have survived intact. His enormously influential Aetia, the collection of Iambi, the Hecale, and all of his prose output have been reduced to a handful of citations in later Greek lexica and handbooks or papyrus fragments. In recent years excellent commentaries and synthetic studies of the Aetia, the Iambi, and the Hecale have appeared or are about to appear. But there is no modern study in English of the collection of hymns. And while there are excellent commentaries in English on three of the hymns (Apollo, Athena, Demeter), the commentaries on Zeus and on Delos are limited in scope, and there is no commentary at all on the Artemis hymn. Synthetic studies in English for the most part treat only one hymn, not the collection, and tend to focus on Callimachus intertextual relationships with his predecessors and/or his influence on Roman poetry. Yet recent work is requiring scholars to broaden their perspective and to consider Callimachus religious, civic, and geopolitical contexts much more systematically in attempting to understand the hymns. A further incentive is that apart from the Homeric and Orphic hymns, Callimachus are the...

Binding: Paperback;346 pages; Publisher: Oxford University Press; Classification: N/A; Weight: 653.42 g; Dimensions: N/A

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