Music is a tremendously powerful channel through which people develop their personal and social identities. Music is used to communicate emotions, thoughts, political statements, social relationships, and physical expressions. But, just as language can mediate the construction and negotiation of developing identities, so music can also be a means of communication through which aspects of peoples identities are constructed. Music can have a profound influence on our developing sense of identity, our values, and our beliefs, be it from rock music, classical music, or jazz. Musical identities (MacDonald, Hargreaves and Miell, 22) was unique in being in being one of the first books to explore this fascinating topic. This new book documents the remarkable expansion and growth in the study of musical identities since the publication of the earlier work. The editors identify three main features of current psychological approaches to musical identities, which concern their definition, development, and the identification of individual differences, as well as four main reallife contexts in which musical identities have been investigated, namely in music and musical institutions specific geographical communities education and in health and wellbeing. This conceptual framework provides the rationale for the structure of the Handbook. The book is divided into seven main sections. The first, Sociological, discursive and narrative approaches, includes several general theoretical...

Binding: Hardcover;898 pages; Publisher: Oxford University Press; Classification: AVA; Weight: 1820 g; Dimensions: 181 x 254 x 53

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