A woman on the verge of a breakdown begins to hear the voice of a mediaeval mystic. The convict wife of an Australian settler faces the bloody price of colonisation. A man murders his wife and flees to a country town. A girl is visited by a vampire and uncovers her hidden past. In these four hallucinatory texts for theatre, written over the past two decades, the past is never dead its violence reaches into the fractured present. Croggons characters struggle through a world alienated by trauma. Some find their truths others remain lost. Disturbing, ecstatic, ambiguous, affirming, these poems for the stage unpick the seams of reality, opening the dark places of memory. Alison Croggons work encompasses poetry, novels, criticism and texts for performance. She has had sixteen works produced in Australia, both libretti and plays. They include The Riders, winner of the Vocal/Choral Work of the Year in the 2015 Art Music Awards, and Mayakovsky, shortlisted for the drama prize in the 2015 Victorian Premiers Literary Awards. Her awardwinning novels and collections of poetry have been widely published in the US, UK and Europe as well as in Australia. She was named 2009 Geraldine Pascall Critic of the Year and her selected critical essays, Remembered Presences, was recently published by Currency Press.
Binding: Paperback;120 pages; Publisher: Alison Croggon; Classification: N/A; Weight: 282.84 g; Dimensions: N/A
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A woman on the verge of a breakdown begins to hear the voice of a mediaeval mystic. The convict wife of an Australian settler faces the bloody price of colonisation. A man murders his wife and flees to a country town. A girl is visited by a vampire and uncovers her hidden past. In these four hallucinatory texts for theatre, written over the past two decades, the past is never dead its violence reaches into the fractured present. Croggons characters struggle through a world alienated by trauma. Some find their truths others remain lost. Disturbing, ecstatic, ambiguous, affirming, these poems for the stage unpick the seams of reality, opening the dark places of memory. Alison Croggons work encompasses poetry, novels, criticism and texts for performance. She has had sixteen works produced in Australia, both libretti and plays. They include The Riders, winner of the Vocal/Choral Work of the Year in the 2015 Art Music Awards, and Mayakovsky, shortlisted for the drama prize in the 2015 Victorian Premiers Literary Awards. Her awardwinning novels and collections of poetry have been widely published in the US, UK and Europe as well as in Australia. She was named 2009 Geraldine Pascall Critic of the Year and her selected critical essays, Remembered Presences, was recently published by Currency Press.
Binding: Paperback;120 pages; Publisher: Alison Croggon; Classification: N/A; Weight: 282.84 g; Dimensions: N/A
Free Delivery For A Year With Unlimited Delivery For £14.99
Super Saver Delivery
£2.99
Standard Delivery
£3.99
Express Delivery
£5.99
Next Day Delivery
£6.99
24/7 InPost Locker | Shop Collect
£2.49
Evri ParcelShop
£3.99
Evri ParcelShop | Next Day Delivery
£5.99
Premium DPD Next Day Delivery
£6.99
Bulky Item Delivery
£4.99
Northern Ireland Super Saver Delivery
£2.99
Northern Ireland Standard Delivery
£4.99
Northern Ireland Express Delivery
£5.99
Unlimited Delivery
£14.99
Please note, some delivery methods are not available for products delivered by our brand partners & they may have longer delivery times.
Something not quite right? You have 21 days from the day you receive it, to send something back.
Please note, we cannot offer refunds on fashion face masks, cosmetics, pierced jewellery, adult toys, and swimwear or lingerie if the hygiene seal is not in place or has been broken.
Items of footwear and/or clothing must be unworn and unwashed with the original labels attached. Also, footwear must be tried on indoors. Items of homeware including bedlinen, mattresses, and toppers, and pillows must be unused and in their original unopened packaging. This does not affect your statutory rights.
Click here to view our full Returns Policy.
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