This is an interdisciplinary study of the Bible and visuality. It is the first to be written by a historian of visual culture (that is, aspects of culture mediated by visual images) rather than a biblical scholar, and unlike some previous studies, it makes equal partners of image and text. The Bible as Visual Culture also bridges a longstanding gulf between the interpretative traditions, languages, and reading conventions of the two disciplines. The books central question is What happens when text becomes an image? In response, the study explores how biblical ideas are articulated in and through visual mediums, and examines ways in which visual culture actively shapes biblical and religious concepts. Using original research material, Harveys approach develops a variety of new and adaptable hermeneutics to exegete artifacts. The book applies theoretical and methodological approachesnative to fine art, art history, and visual cultural studies but new to biblical studiesto examine the significance of images for biblical exegesis and how images exposit the biblical text. John Harvey draws upon a breadth of fine art, craft, and ephemeral objects made, modified or adopted for worship, teaching, commemoration and propaganda, including painting, print, photography, sculpture, installations, kitsch and websites. These artifacts are studied chiefly in the context of the latemodern period in the West, from a Protestant Christian perspective for the most part. The Bible as Visual...

Binding: Hardcover;226 pages; Publisher: Sheffield Phoenix Press Ltd; Classification: N/A; Weight: 616.23 g; Dimensions: N/A

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