This first fulllength volume draws from poems written over roughly ten years prose sequences, sonnets or thereabouts, parodyhomages, a metro poem, psychical collaborations, and drawn from smallprint chapbooks. Combining a condensed lyricism, collage, and durational procedures, the collection works its way through days and the everyday (near accidents, a working salad, the assumptions of architecture)...The sense of fleeting glimpse, of provisionality, of actual sensedata taken in but not yet possessed, is terrific. Is it lyric? Well, yesbut with a stylistic affiliation to Projective and subsequent aesthetics. And noin the sense that Wright does not seek that laurel or that identification.The feeling given is of a spacey selfawareness. So many lines in these poems seem acts of orientation, verification of the subjects placement, visavis sounds, views, examinationsof the sky, of overhead wires, a bird, sounds of a nearby train or traffic, changes in the weather. A space both actual and mental.Ken Bolton, SoutherlyTim Wright is the author of The nights live changes (2014) and Weekends end (2013).

Binding: Paperback;80 pages; Publisher: Ebook Alchemy Pty Ltd; Classification: N/A; Weight: 237.03 g; Dimensions: N/A

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